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August 2018

MoMA Union signs contractual deal with museum management after protests – ARTnews.com

By Museum management No Comments

Maida Rosenstein, President of Local 2110, speaking at the MoMA entrance on West 53rd Street during a protest earlier this month.

ANDREW RUSSETH / ARTNEWS

Following protests over labor issues at the Museum of Modern Art in New York City, MoMA Local 2110 union announced this morning that it had reached an agreement for a new contract with the management of the institution. The five-year contract will include a new structure to offer certain employees salary increases and salary increases as well as changes to the MoMA healthcare plan.

In a statement, Maida Rosenstein, president of United Auto Workers Local 2110, said: “We attribute much of the museum’s retractions to the dedicated efforts and perseverance of our members, who have spent months to donate their time to our activism and in record numbers to participate in collective action, as well as the resounding vocal support of our colleagues, friends and the general public.

“MoMA has an amazing staff and we are delighted with the fair and amicable resolution we have achieved with Local 2110,” a MoMA spokesperson said in a statement. “We believe this five-year contract will keep our dedicated staff and the museum on a path to financial stability and future growth. “

As part of the new contract, MoMA will offer a seniority step program that will offer increases to workers after certain periods of time, which the museum had previously sought to eliminate, according to the union. The employee’s share of the costs of family health coverage will not increase and individual coverage will not require employee contributions. The union also said in a statement that guidelines for tuition, paid family leave, commissions and business benefits for members of MoMA’s retail and visitor engagement department have improved.

The news follows two events this summer at the museum that garnered attention – one in May at MoMA’s Party in the Garden gala and another earlier this month that started in the museum lobby. Rosenstein said ARTnews last May that negotiations between the union and MoMA had started in April and that they “were not making good progress”. During both actions, union employees could be seen holding signs reading “MODERN ART OLD SALARY“And” #WeAreMoMA. At the latter, gestures included chanting the world’s industrial workers standard “Solidarity Forever,” with updated lyrics to refer to the museum.

In a statement this morning, Megan Grann, Local 2110 Steward and Sales Specialist, said: “We couldn’t have done it alone, and we are so moved by the incredible show of solidarity throughout. along this process.

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AMO’s first exhibition design in China unveiled in Beijing

By Exhibition design No Comments

AMO’s first exhibition design in China unveiled in Beijing

OMA AMO’s research and design office has opened True me, the studio’s first exhibition design in China. Built in the 798 Art Factory in Beijing, True Me explores modern selfie culture and modes of self-representation through art and media. Organized by app developer Meitu and the Beijing Contemporary Arts Foundation, the exhibition features works by Hou Ying, Lu Yang, Maleonn, Xie Haiwei, Ye Funa, Chen Tianzhuo, teamLab and Theodore Bradley. Celebrating the launch of Meitu’s new logo, the exhibit expands AMO’s interest in the study of visual culture.

True me.  Image courtesy of the OMATrue me.  Image © Bian Jie, courtesy of the OMATrue me.  Image © Bian Jie, courtesy of the OMATrue me.  Image courtesy of the OMA+ 20

True me.  Image © Bian Jie, courtesy of the OMA
True me. Image © Bian Jie, courtesy of the OMA
True me.  Image © Bian Jie, courtesy of the OMA
True me. Image © Bian Jie, courtesy of the OMA

True me bases AMO research on a staged space literally reflecting the nature of the Meitu application. Over a billion users use Meitu to edit selfie images and produce reimagined expressions of themselves. Continuing the vein of AMO’s work beyond fashion show decors and store interiors, the concept of the exhibition plays on the contradiction of application between the raw self and the interior and the post-produced image. that is created. The spaces are aligned along a central corridor connected to a series of spaces. These rooms are clad in head-to-toe curved mirrors along the hallway to reflect the notion of the outer self. Inside, six soft areas clad in flannel, felt and grass display the idea of ​​inner self. Together, the hallway and rooms take visitors on a journey through visual works of art and performance spaces.

True me.  Image © Bian Jie, courtesy of the OMA
True me. Image © Bian Jie, courtesy of the OMA
True me.  Image © Bian Jie, courtesy of the OMA
True me. Image © Bian Jie, courtesy of the OMA

As part of OMA’s growing interest in Asia’s vibrant progressive cultural scenes, the exhibition design was led by OMA partner and Asia director Chris van Duijn. The project is part of a sequence of cultural projects designed at OMA’s Hong Kong office, including the Genesis Gangnam store in Seoul and the cultural spaces of the recently opened Columbia Circle in Shanghai. Currently, the OMA is working on the extension of a leading art institute in Beijing which will be completed at the end of this year.

True me will be open to visitors at the 798 Art Factory until August 14, 2018


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