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January 2019

2×8 2019 | AIA Los Angeles | Exhibition design competition

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2×8 2019 | AIA Los Angeles | Exhibition design competition

The 2 × 8 student competition, exhibition and scholarship program features exemplary work by students from architecture and design institutions from across California. Celebrating the state’s unparalleled diversity in educational guidance, each of the participating university programs selects two student projects that embody their primary vision. No less than 16 schools participate in the annual fair.

Participating students exhibit their work in a public place and have the opportunity to receive scholarships to continue their studies as architects of tomorrow.

In 2018, 2 × 8 program sponsors awarded scholarships of $ 13,000 to students with winning projects from East LA College, USC School of Architecture, CA College of the Arts, Woodbury, UCLA, Cal Poly Pomona, and Otis College of Art & Design. . This year’s goal is to raise $ 25,000 for the 2 × 8 student project exhibition and scholarship program!

Design challenge

Design, build and install the physical manifestation of the 2×8 2019 exhibition to showcase up to 32 student projects. Student work can be displayed in any way (printed tables, digital media, projection, etc.) and design proposals should specifically prescribe the presentation format (size, proportions, etc.). The exhibition design concept should be flexible, as the number of school entries may not be finalized until a winner is selected. The design should include a “sponsorship wall” element of some type and, at a minimum, an eye-catching element in the public paseo on Helms Ave to alert passers-by to the exhibit inside. The elements can be built or placed in the paseo, inside the space, hung on the walls, etc. At the end of the show however, the space should be returned in the same condition as it was found.

Additional information / Request for proposal can be found here.

Download the information about this competition here.

  • Title

    2×8 2019 | AIA Los Angeles | Exhibition design competition

  • Type

    Announcement of the competition (built projects and master plans)

  • Organizers

  • Registration deadline

    February 01, 2019 11:59 AM

  • Submission deadline

    February 12, 2019 11:59 AM

  • Place

    Helms Bakery District

  • Price

    25 $

This contest was submitted by an ArchDaily user. If you would like to submit a competition, a call for entries or any other architectural “opportunity”, please use our “Submit a competition” form. The opinions expressed in advertisements submitted by ArchDaily users do not necessarily reflect the views of ArchDaily.


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Design in 2019 – what will exhibition design look like?

By Exhibition design No Comments

As part of our 2019 design series, Pernilla Ohrstedt, founder of her eponymous studio, takes a look at what will happen in exhibition design over the next 12 months.

Pernilla Ohrstedt, founder of her eponymous studio. © Eric Guillemain.

What do you think 2019 will hold in exhibition design?

2019 is a year on the lookout for small radical exhibitions. I am very excited about José Esparza’s new reign at Storefront for Art and Architecture in New York. A new vision for one of the smallest but most interesting exhibition spaces I have ever worked with. Equally exciting will be the exhibits and events that former Storefront Director Eva Franch Gilbert will bring to the Architectural Association (AA), which she now directs.

What was your favorite exhibition design project of 2018 and why?

Photo: David Heald. © 2018 Solomon R. Guggenheim Foundation.

Paintings for the Future by Swedish artist Hilma af Klint at the Guggenheim in New York was my favorite. Rarely has a building and the work of an artist expressed such a synergy. It’s as if the building was made for this show, even though its groundbreaking work – which was only recently revealed – replaced the half-decade-old building.

The high double-height galleries show off his breathtaking “Ten Largest” from 1907, illuminated by semicircular skylights. And the continuous circular ascension spatially reinforces the message and importance of her work – the future has finally caught up with her.

Installation photos: Hilma af Klint: Paintings for the Future, Solomon R. Guggenheim Museum, New York. Photo: David Heald. © 2018 Solomon R. Guggenheim Foundation.
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