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Defining Moments: Australian Exhibition Stories 1968-1999 – Announcements

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Australian Center for Contemporary Art (ACCA)

111, rue Sturt, south shore

Melbourne VIC 3006
Australia

acca.melbourne

Instagram / Facebook / #ACCAMelbourne / #ArtStartsAtACCA

ACCA’s two-year lecture series focused on ambitious, contested, controversial, genre-defining and defying contemporary art exhibitions and projects is now available in its entirety as free podcasts and illustrated video lectures.

The series began in April 2019 when Australian art collector and patron John Kaldor spoke of when he invited French artists Christo and Jeanne-Claude to Australia to walk two and a half kilometers of coastline to Sydney’s Little Bay, this which gave rise to the first monumental environmental work monument by the pair: Wrapped Coast – One Million Square Feet 1968-69.

Defining Moments: Stories from the Australian Exhibitions 1968-99 concluded this week with a talk by Dr Mikala Tai on the founding of Gallery 4A, a Sydney-based non-profit organization established in 1996 to showcase and promote the work of Asian and Asian-Australian artists.

Artistic Director / CEO of ACCA Max Delany said the fifteen lecture series traces the legacy of artists and curators, addresses the critical reception of important selected projects and reflects on a wide range of exhibitions and formats that have helped shape contemporary art and culture Australian more widely.

“We are happy to present now Defining Moments: Australian Exhibition Stories 1968-99 in its entirety, online. Presented by a diversity of commentators and protagonists, the series covers a number of topics and contexts, from the creation of murals at the Papunya School in 1971 that sparked the painting movement in the Western Desert, and the first Australian feminist artistic initiatives, up to the 1994 landmark. exhibition Don’t Leave Me Like This: Art in the Age of AIDS at the National Gallery of Australia, among other exhibits that respond to important moments and movements in the history of Australian art and culture.

“The Decisive moments is a rich resource, offering new perspectives and reflections on the game changers in contemporary art during the last three decades of the 20th century, ”said Delany.

The defining moments: Australian exhibition stories 1968-1999 the lecture series includes:

2019 season
Selected projects from 1968 to 1983 encompassing interventions in public space and remote communities, as well as projects in artist and institutional spaces. Available as a podcast on ACCA website and podcast platforms:

Jean Kaldor on Christo and Jeanne-Claude, Wrapped Coast 1968-69, with the respondent Rebecca coates
John kean to Digging for honey ants: the Papunya mural project, with the respondent Hannah presley
Ian millis to Object and idea, National Gallery of Victoria, 1973
Peter Kennedy to Inhibodress, multimedia interference, with responder Sue cramer
David Chesworth to Clifton Hill Community Music Center 1976-83
Julie ewington to Almost anything goes: Sculpturescape 1975 in Mildura
Janine Burke to A room of their own: creation of a space for the feminist collective, with the respondent Helen Hugues
Anne Marais to Post Object Art in Australia and New Zealand

2020 season
New institutional models and contemporary modes of exhibition emerging in the 1980s and 1990s. Presented digitally in the form of video conferences and podcast freely accessible on ACCA website and podcast and video platforms:

Judy Annear to Popism, National Gallery of Victoria, Melbourne, 1982
Peter Cripps to The art of recession and other strategies, Institute of Modern Art, Brisbane, 1985, with the respondent Channon Goodwin
Djon Mundine OAM to The aboriginal memorial, Sydney Biennale, 1988
Doug Hall AM on the First Asia-Pacific Contemporary Art Triennial, Queensland Art Gallery, Brisbane, 1993
Ted gott to Don’t leave me like this: art in the age of AIDS, National Gallery of Australia, Canberra, 1994
Stephane Gilchrist to Aratjara: art of the first Australians, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1993 and running: Emily Kame Kngwarreye, Yvonne Koolmatrie, Judy Watson, Australian Pavilion, Venice Biennale in 1997
Mikala Tai on the founding of Galerie 4A and the inaugural exhibition 1997.

Access podcasts and videos from the full two-year lecture series here.


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Defining Moments: Australian Exhibition Stories 1968-1999 – Announcements

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acca.melbourne

Instagram / Facebook / #accamelbourne / #definingmomentsacca

ACCA’s two-year lecture series Defining Moments: Australian Exhibition Histories 1968-1999 will be presented this year as illustrated video lectures online.

Designed to shed light on markers of change in Australian art in the last three decades of the 20th century, Decisive moments last year focused on key exhibitions and projects from the late 1960s and 1970s. This year the series will explore new institutional models and contemporary modes of exhibition creation that have emerged over the years. 1980 and 1990, including the Asia-Pacific Triennial and 4A Center for Contemporary Asian Art, as well as exhibitions and projects led by First Nations artists and curators in Australia and abroad, among others.

In 2020, the series will be presented online as podcasts and video lectures to expand the national and international reach of this ambitious and rich historical project, starting with an exploration of the 1982 exhibition at the National Gallery of Victoria. Popism, by an independent writer and researcher Judy Annear. Organized by Paul Taylor, then 24, editor and publisher of the influential contemporary art publication Art and text, the exhibit was a provocative and rhetorical manifesto for a new generation, including Howard Arkley, David Chesworth, Juan Davila, Maria Kozic and Jenny Watson, among others.

Judy Annear’s talk will be available on May 25 and will be followed in July by The art of recession and other strategies, a talk given by the artist and former director of the Brisbane Institute of Modern Art Peter Cripps, based on the IMA exhibition of the same name which he organized in 1985, in response to the social, political and cultural contexts of the time.

“The series takes a closer look at the exhibitions and projects that have shaped Australian art since 1968 – ambitious, contested, controversial projects, defining and challenging the genres that have informed and transformed the cultural landscape, as well as our understanding of this. which constitutes art itself, ”said ACCA Artistic Director / CEO Max Delany. “Presented by some of Australia’s leading artists, curators and academics, we are excited to launch the series as digital lectures, more widely accessible to national and international audiences. ”

Defining Moments: Australian Exhibition Stories 1968-1999 is presented in association with Abercrombie & Kent and the Research Partner Center of Visual Art (CoVA) at the University of Melbourne; and supported by Media Partners Art Guide Australia, The Saturday Paper and Triple R; and Event Partners the Melbourne Gin Company, Capi and the City of Melbourne. Each conference will be accompanied by a tailor-made cocktail recipe, created by the Melbourne Gin Company.

Monday 25 May
Popism, National Gallery of Victoria, Melbourne, 1982
Speaker: Judy Annear, writer and independent researcher

Monday July 13
The art of recession and other strategies, Institute of Modern Art, Brisbane, 1985
Speaker: Peter Cripps, artist and former director of the Institute of Modern Art, Brisbane (1984-86)
Respondent: Channon Goodwin, Director of Bus and Composite Projects: Moving Image Agency, Melbourne, and founding co-organizer of the conference

Monday July 27
The aboriginal memorial, Sydney Biennale, 1988
Speaker: Djon Mundine, OAM, curator, writer, artist and activist

Monday August 24
First Asia-Pacific Contemporary Art Triennial, Queensland Art Gallery, Brisbane, 1993
Speaker: Doug Hall, AM, writer, critic and former director of the Queensland Art Gallery | Modern Art Gallery (1987-2007)

Monday September 21
Aratjara: art of the first Australians, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1993 and Current: Emily Kame Kngwarreye, Yvonne Koolmatrie, Judy Watson, Australian Pavilion, Venice Biennale, 1997
Speaker: Stephen Gilchrist, Writer, Curator and Associate Lecturer in Indigenous Art at the University of Sydney

Monday October 5
Don’t Leave Me Like This: Art in the Age of AIDS, National Gallery of Australia, Canberra, 1994
Speaker: Dr Ted Gott, Senior Curator of International Art, National Gallery of Victoria, Melbourne; and curator of Don’t Leave Me Like This: Art in the Age of AIDS

Monday October 26
Creation of the “Galerie 4A” and the inaugural exhibition in 1997
Speaker: Mikala Tai, Director 4A Center for Contemporary Asian Art

For more information and podcasts from the 2019 series, visit https://acca.melbourne/series/defining-moments/


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Defining Moments: Stories from the 1968-1999 Australian Exhibitions – Announcements

By Exhibition histories No Comments

Defining Moments: Australian Exhibition Stories 1968-1999
ACCA Annual Conference Series

Australian Center for Contemporary Art (ACCA)

111, rue Sturt, south shore

Melbourne VIC 3006
Australia

acca.melbourne

Instagram / Facebook / Twitter / #accamelbourne / #definingmomentsacca

Defining Moments: Australian Exhibition Stories 1968-1999 is the focus of ACCA’s 2019-2020 lecture series, with eight lectures per year highlighting markers of change in Australian art, addressing the major contemporary art exhibitions and projects held over the past three decades of the 20th century.

Ambitious, contested, polemical, defining and defying genres, contemporary art exhibitions have shaped and transformed the cultural landscape, as well as our understanding of what constitutes art itself. This program traces the legacy of artists and curators, addresses the critical reception of selected significant projects and reflects on a wide range of exhibitions and formats; from artists’ initiatives to institutions, including interventions in public spaces and remote communities.

Presented in association with Abercrombie & Kent and Research Partner, Center of Visual Art (CoVA) at the University of Melbourne, the two-year series brings together a diversity of voices in lectures and hour-long conversations involving exhibiting artists, curators, critics and historians, with a first series of conferences scheduled from April to November 2019.

In 2019, the series will focus on the period 1968 to 1981, which saw a series of exceptional projects that transformed the production and reception of contemporary art in Australia. These include Christo and Jeanne-Claude Wrapped Coast – One Million Square Feet, in Little Bay, Sydney, in 1968-69; the Honey ant Dream and other murals at the Papunya school in 1971; Sculptural landscape ’75 – the Mildura Sculpture Triennial; and other experimental contexts involving sound, video, performative, conceptual and feminist artistic practices. In 2019, the lecture series will take us to a series of sites beyond the museum, with a focus on exhibitions and projects that have taken place outside conventional institutional frameworks.

In 2020, the lecture series will explore the new institutional models that emerged in the 1980s and 1990s, with the development of periodical exhibitions such as the Sydney Biennale, Perspecta and the Asia-Pacific Triennial; the development of contemporary art spaces, aboriginal art centers and artist-run initiatives; among other contemporary contexts and modes of exhibition.

The lecture series includes:

Monday April 15: Christo and Jeanne-Claude, Wrapped coast 1968-69
Lecture by John Kaldor, with respondent Rebecca Coates

Monday April 29: Digging for honey ants: the Papunya mural project
Lecture by John Kean, with respondent Hannah Presley

Monday June 3: Object and Idea
Conference by Ian Milliss

Monday July 8: Inhibodress, multimedia jamming
Lecture by Peter Kennedy, with respondent Sue Cramer

Monday August 5: Clifton Hill Community Music Center 1976-1983
Lecture by David Chesworth

Monday September 3: Almost anything goes: Sculpturescape 1975 in Mildura
Lecture by Julie Ewington

Monday, October 7: A Room of their own: creating a space for the feminist collective
Lecture by Janine Burke, with the respondent Helen Hughes

Monday November 4: Post Object Art in Australia and New Zealand
Lecture by Anne Marsh


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