Hidden gay stories of National Collection treasures revealed on Scottish trail
A guide to LGBTQIA + stories of a number of artifacts, spanning hundreds of years, has been illuminated in a new guide and trail at the National Museum of Scotland.
Objects include a stained glass window that commemorates King James VI and his ‘favorite’, George Villiers, the Duke of Buckingham, and a 17th century iron necklace from Fife.
The necklace was used as an instrument of torture around the same time a Renfrewshire woman was accused of being a lesbian, with authorities treating the case as a case of witchcraft.
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A Greek amphora, which depicts a bisexual hero and an all-female revered group of hunters and warriors, is also included in the guide.
Laura Bennison, Head of Community Engagement at the National Museum of Scotland, said: âLGBTQIA + stories have often been left out of mainstream history and we want to make them more visible.
The idea for the trail first came from a museum guide, who identified that there was a âreal interestâ in LGBTQIA + stories among visitors, as well as a gap in the interpretation of some of the objects.
The guide was developed by a group of young adults from Impact Arts in Edinburgh.
A key part of the new guide is the stained glass window in the Kingdom of Scots Gallery. It represents King James VI, son of Mary, Queen of Scots, who had a succession of male “favorites” during her reign, the term then being used to describe a romantic partner or a lover.
The best known of these was George Villiers, Duke of Buckingham, with the window made to commemorate a visit the couple made to an Oxfordshire abbey.
A 17th-century iron collar – or yokes – from Fife, which was used to torture accused of witchcraft, illustrates the story of Maud Galt, who was accused of being a lesbian by her maid.
Galt, from Kilbarchan, married a man to hide his sexuality and had a relationship with one of the couple’s maids, Agnes Mitchell, who later accused Galt of sexually assaulting her and others.
The Privy Council treated the allegations as witchcraft, although the outcome of the lawsuit is unknown.
Meanwhile, a piece of Greek amphora, which dates from 500 BC.
In the Design for Living gallery, an embroidery by May Morris (1862-1938), designer, teacher, jeweler and publisher – and daughter of design pioneer William Morris – is featured on the trail.
May Morris lived with Mary Lobb, a gardener at the family home, for 22 years and after Morris’ death most of the estate and most of her personal belongings were left with Mary.
Ms Bennison said other items from the museum’s collection would be added to the guide over time.
She said: âThere is contemporary significance to these stories for everyone. A more faithful portrayal of LGBTQIA + life is also an important statement of welcome to members of this community today and a crucial step in demonstrating that museums and cultural institutions are safe spaces for all.